Though I could pride myself in battles wonĪnd find my glory in the power of the crossĬould reach beyond my weakness to my needģPM Band (2) Albert Tanoni (1) Amazing Boyz (1) Andre Hermanto (6) Andrew Leong (1) Andrew Shawn Craig (1) Anzen (1) Argo Pariadji (1) Arvid Gunardi (1) Avalon (1) Bambang Irwanto (2) Bastian Panggabean (2) Ben Fielding (1) Benedict Weerasena (1) Beth Croft (1) Bezaliel Yehuda Suryabuana (1) Billy Funk (1) Boanerges (1) Bob Fitts (1) Bobby OW (1) Bram Manusama (1) Brian Littrell (1) Brooke Fraser (1) Caroline Tien (1) Casting Crowns (1) Chris Quilala (1) Chris Tomlin (3) Christian City Church (1) Citra Scholastika (1) City Harvest Church (6) Claire Cloninger (2) Cristy Lane (1) Cyndi Lauper (1) Danar Idol (1) Daniel Sigarlaki (3) Darlene Zschech (5) Dave (1) Dave Gerard Que (1) David Meece (1) David Sudaryono (1) Debra Robert (1) Delirious (1) Delon (1) Dennis Jernigan (1) Dewi Guna (4) DIGNIFIED (1) Djohan E. Koch, Andrew Shawn CraigĬopyright: New Spring Publishing Inc.
With the limited range and technical difficulty, this arrangement is an excellent choice for early-intermediate string players. For the Cello, all notes are playable in the first position with the exception of C#3 which can be played in second or third position or as an extension of the fourth finger on the G string. For the VIOLIN, all notes are playable in the first position. Ranges for the string instruments are as follows: VIOLIN ~ F#4 to B5 CELLO ~ G2 to D4. For the third and optional fourth verse, the PIANO transitions to a bolder, more powerful feel matching the intensity of the lyrics: ?Then bursting forth in glorious day, Up from the grave He rose again!? The audio sample begins in measure 48 at the beginning of verse 3 showcasing the bolder and brighter final verses. The first two verses are softer and more lyrical than the third verse.
Three unique verses are included and if four verses are desired in order to match the lyrics, an optional repeat is included for the last verse. The PIANO has both right-hand and left-hand playing melody during the interludes. The CELLO plays the melody for the second verse and then concludes with the VIOLIN on the melody for the third verse. For the first verse, the CELLO and VIOLIN alternate playing melody. The beautiful, lyrical style of this instrumental piece creates a powerfully uplifting atmosphere and is an ideal selection for any church setting.īoth the VIOLIN and CELLO get to lead with the melody at times making it enjoyable and equally challenging for both players while adding variety for the listeners.
This favorite contemporary hymn by Keith Getty and Stuart Townend is arranged as an instrumental trio (for VIOLIN and CELLO with PIANO accompaniment). 2.08€ $2.35 #Choral SATB #Keith Getty and The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The hint of "The Solid Rock" that Lloyd drops in at the end is a perfect coda to this powerful presentation. This theologically driven anthem builds from the simple affirmation, "In Christ alone my hope is found he is my light, my strength, my song," then traces the birth, death and crowning glory of the resurrected Lord, who "bursting forth in glorious day, up from the grave rose again," culminating with the final return of Christ. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19.Ĭontemporary hymn by Keith Getty and Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season.
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