Pickup and the Electronics/wiring are untouched and intact, with no broken solder joints, no re-wound pickup. The ES-125 has a beautiful rosewood fingerboard with pearloid dots. The pitch is short: The original study ctait a guitar. Vintage look natural relic trs enjoyable UTILIZATION Round and round but pais super enjoyable and accessible trs. The neck is straight and the profile is the typical large round early 50’s profile neck which is not only comfortable, but also great for tone and sustain. Gibson ES 125 from 1953 has worked well and has vcue t rpar (frets, Clisse, electronic) and somewhat modified (buttons, nut, bridge, mechanical) but respect for the art. Otherwise the guitar is all original with no breaks or any repairs.
Only beautiful finish checking with some wear and dings that give the guitar a great vibe and good looking.Īs is common with these models, the plastic tuner tips are shrunken, so there is replaced new Kluson cream tuner tip (Only the white tip). A great player with an amazing original P-90, structurally sound with no cracks or breaks.
It’s genius all the way around with bound top and back with cream binding. This model was Gibson’s work-horse electric and it’s not overly adorned with inlays and the like which matches perfectly with this old sunburst for a stripped down and mean look. The ES-125 has an adjustable intonate bridge and trapeze tailpiece. I had bought the tune-o-matic bridge and like the fact that I can intonate it, however, this wood Archtop bridge gives my ES125 a more authentic sound. The pickup was installed on an F-hole archtop guitar, dubbed the ES-150 ES for Electric Spanish), and the first one shipped from the Gibson. I am a learning novice with guitar repair and not at all a luthier. We present an original 1956 Gibson ES-125 in its original Sunburst finish. Archtop Guitar Bridge Quote 'This bridge was purchased for my ES125 project.
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